Rafik Greiss
the longest sleep
closer
selected press
info
contact
Selected Works
Bitter to be present, 2025
Plaster plates, patinated
215 × 482 × 1.8 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)
Bitter to be present, 2025 (Detail) Plaster plates, patinated
215 × 482 × 1.8 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)
Bitter to be present, 2025 (Detail) Plaster plates, patinated
215 × 482 × 1.8 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)
The difficulty of imagining, 2025
Found window, extracted plaster, inkjet print
204.5 x 119 x 8.5 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)
The difficulty of imagining, 2025 (Detail)
Found window, extracted plaster, inkjet print
204.5 x 119 x 8.5 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)
Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark
waiting and waiting for an answer, and there is nothing, nothing more than this, 2025
Found door, inkjet print, glass
130 x 151 x 27 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)
waiting and waiting for an answer, and there is nothing, nothing more than this, 2025 (Detail)
Found door, inkjet print, glass
130 x 151 x 27 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)
In memory of my feelings, 2025
Found plaster wall stack, inkjet print, glass
239 x 244 x 34.5 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)
In memory of my feelings, 2025
(Detail)Found plaster wall stack, inkjet print, glass
239 x 244 x 34.5 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)
Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark
(Install at 18th Edition of the Istanbul Bienniel: The Three Legged Cat, curated by Christine Tohme, Istanbul, Turkey)
Thais (Bird of Paradise), 2024 (Detail)
Found piano frame
100 x 135 x 18 cm
39 3/8 x 53 1/8 x 7 1/8 in
(Install at 18th Edition of Istanbul Bienniel: The Three Legged Cat, curated by Christine Tohme, Istanbul, Turkey)
39 3/8 x 53 1/8 x 7 1/8 in
The Longest Sleep, 2024
Digital 4K Video
9:36 minutes
(Install at 18th Edition of Istanbul Bienniel: The Three Legged Cat, curated by Christine Tohme, Istanbul, Turkey)
(Install at 18th Edition of Istanbul Bienniel: The Three Legged Cat, curated by Christine Tohme, Istanbul, Turkey)
Morning Glory, 2025
Inkjet Print, Found Car Window
65 x 130 x 10 cm
(Install at Air Service Basel, Lo Brutto Stahl, Basel, Switzerland)
Morning Glory, 2025
Inkjet Print, Found Car Window
65 x 130 x 10 cm
(Install at Air Service Basel, Lo Brutto Stahl, Basel, Switzerland)
Morning Glory, 2025
Inkjet Print, Found Car Window
65 x 130 x 10 cm
(Install at Air Service Basel, Lo Brutto Stahl, Basel, Switzerland)
The right to rest and leisure I, 2025
6 Chromogenic prints on Japanese paper
50 x 60 cm
(Install at Tolia Astakhishvili: to love and devour, Nicoletta Fiorucci Foundation, Venice, Italy)
The right to rest and leisure I, 2025
6 Chromogenic prints on Japanese paper
50 x 60 cm
(Install at Tolia Astakhishvili: to love and devour, Nicoletta Fiorucci Foundation, Venice, Italy)
As The Rush Comes, 2023
Inkjet Prints on Japanese Paper
110.5 x 228.5 cm
(Install at Undercurrents, Galerie Molitor in collaboration with LC Queisser, Berlin, Germany)
Inkjet Prints on Japanese Paper
110.5 x 228.5 cm
(Install at Undercurrents, Galerie Molitor in collaboration with LC Queisser, Berlin, Germany)
Found Tires
71 x 85 x 85 cm /28 x 33 1/2 x 33 1/2 in
(Install at Trucs Machins et Bidules (Nooks & Crannies) at Galerie Christophe Gaillard, organized by Olivier Renaud-Clément, Brussels, Belgium)
Found Tires
71 x 85 x 85 cm /28 x 33 1/2 x 33 1/2 in
(Install at Trucs Machins et Bidules (Nooks & Crannies) at Galerie Christophe Gaillard, organized by Olivier Renaud-Clément, Brussels, Belgium)
Wood, Lead, Chromogenic Print under Plexiglass
46.2 cm 32.4 cm / 18.25 x 12.75 in
Wood, Lead, Chromogenic Print under Plexiglass
46.2 cm 32.4 cm / 18.25 x 12.75 in
Silkscreen on archival paper
110 x 90 cm / 43 2/8 x 35 3/8 inches
(Install at Zurich Biennial at Kunsthalle Zurich, organized by Mitchell Anderson, Zurich, Switzerland)
5 Inkjet prints on Japanese paper
Each 42 x 32 cm / 16 1/2 x 12 5/8 inches
Inkjet print on Japanese paper
42 x 32 cm / 16 1/2 x 12 5/8 inches
(Install at Art Basel: Hong Kong 2023, Booth Galerie Balice Hertling, Hong Kong, China)
Inkjet print on Japanese paper
42 x 32 cm / 16 1/2 x 12 5/8 inches
(Install at Art Basel: Hong Kong 2023, Booth Galerie Balice Hertling, Hong Kong, China)
Inkjet print on Japanese paper
42 x 32 cm / 16 1/2 x 12 5/8 inches
(Install at Art Basel: Hong Kong 2023, Booth Galerie Balice Hertling, Hong Kong, China)
Inkjet print on Japanese paper
42 x 32 cm / 16 1/2 x 12 5/8 inches
(Install at Art Basel: Hong Kong 2023, Booth Galerie Balice Hertling, Hong Kong, China)
Inkjet print on Japanese paper
50 x 41 cm / 19 5/8 x 16 1/8 inches
(Install at Gennariello (part II), Galerie Balice Hertling, Paris, France)
C-print mounted on Dibond in artist's frame
130 x 86 cm / 33 1/2 x 27 1/2 inches
(Install at Tsinamdzgvrishvili 49 / Mazniashvili 10 at LC Queisser)
Turn Me On, 2022 (Detail)
C-print mounted on Dibond in artist's frame
130 x 86 cm / 33 1/2 x 27 1/2 inches
(Install at Tsinamdzgvrishvili 49 / Mazniashvili 10 at LC Queisser)