Rafik Greiss

Selected Works

Bitter to be present, 2025
Plaster plates, patinated
215 × 482 × 1.8 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)

Bitter to be present, 2025 (Detail)Plaster plates, patinated
215 × 482 × 1.8 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)

The difficulty of imagining, 2025 Found window, extracted plaster, inkjet print
204.5 x 119 x 8.5 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)

The difficulty of imagining, 2025 (Detail)Found window, extracted plaster, inkjet print
204.5 x 119 x 8.5 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)

In memory of my feelings, 2025Found plaster wall stack, inkjet print, glass
239 x 244 x 34.5 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)

In memory of my feelings, 2025
(Detail)Found plaster wall stack, inkjet print, glass
239 x 244 x 34.5 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)

waiting and waiting for an answer, and there is nothing, nothing more than this, 2025Found door, inkjet print, glass
130 x 151 x 27 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)

waiting and waiting for an answer, and there is nothing, nothing more than this, 2025 (Detail)Found door, inkjet print, glass
130 x 151 x 27 cm
(Install at Emotional Terrains of Change at SIMIAN, Copenhagen, Denmark)

Morning Glory, 2023
Inkjet Print, Found Car Window
65 x 130 x 10 cm
(Install at Air Service Basel, Lo Brutto Stahl, Basel, Switzerland)

Morning Glory, 2023
Inkjet Print, Found Car Window
65 x 130 x 10 cm
(Install at Air Service Basel, Lo Brutto Stahl, Basel, Switzerland)

the right to rest and leisure I, 2025
6 C-prints, Japanese paper
50 x 60 cm
(Install at Tolia Astakhishvili: to love and devour, Nicoletta Fiorucci Foundation, Venice, Italy)

As The Rush Comes, 2023
Inkjet Prints on Japanese Paper
110.5 x 228.5 cm
(Install at Undercurrents, Galerie Molitor in collaboration with LC Queisser, Berlin, Germany)

Untitled (Tire Planter 1), 2024
Found Tires
71 x 85 x 85 cm /28 x 33 1/2 x 33 1/2 in
(Install at Trucs Machins et Bidules (Nooks & Crannies) at Galerie Christophe Gaillard, organized by Olivier Renaud-Clément, Brussels, Belgium)

Untitled (Tire Planter 1), 2024
Detail
Found Tires
71 x 85 x 85 cm /28 x 33 1/2 x 33 1/2 in
(Install at Trucs Machins et Bidules (Nooks & Crannies) at Galerie Christophe Gaillard, organized by Olivier Renaud-Clément, Brussels, Belgium)

Musette and Drums, 2024
Wood, Lead, Chromogenic Print under Plexiglass
46.2 cm 32.4 cm / 18.25 x 12.75 in
(Install at Art Basel: Basel 2024, Booth Galerie Balice Hertling, Basel, Switzerland)

Stitches, 2024
Wood, Lead, Chromogenic Print under Plexiglass
46.2 cm 32.4 cm / 18.25 x 12.75 in
(Install at Art Basel: Basel 2024, Booth Galerie Balice Hertling, Basel, Switzerland)

Grounding Excercise (to Chris Marker), 2021
Silkscreen on archival paper
110 x 90 cm / 43 2/8 x 35 3/8 inches
(Install at Zurich Biennial at Kunsthalle Zurich, organized by Mitchell Anderson, Zurich, Switzerland)

We Are Almost There, 2022
5 Inkjet prints on Japanese paper
Each 42 x 32 cm / 16 1/2 x 12 5/8 inches

Untitled, 2022
Inkjet print on Japanese paper
42 x 32 cm / 16 1/2 x 12 5/8 inches

Untitled, 2022
Inkjet print on Japanese paper
42 x 32 cm / 16 1/2 x 12 5/8 inches
(Install at Art Basel: Hong Kong 2023, Booth Galerie Balice Hertling, Hong Kong, China)

A Perfect Restraint, 2021
Inkjet print on Japanese paper
50 x 41 cm / 19 5/8 x 16 1/8 inches
(Install at Gennariello (part II), Galerie Balice Hertling, Paris, France)

Turn Me On, 2022
C-print mounted on Dibond in artist's frame
130 x 86 cm / 33 1/2 x 27 1/2 inches
(Install at Tsinamdzgvrishvili 49 / Mazniashvili 10 at LC Queisser)

Turn Me On, 2022
(Detail)
C-print mounted on Dibond in artist's frame
130 x 86 cm / 33 1/2 x 27 1/2 inches
(Install at Tsinamdzgvrishvili 49 / Mazniashvili 10 at LC Queisser)